A Passion for Jazz!
 
  • Music / Books
  • Resources
  • Jazz History
  • Jazz Education
  • Festivals / Events
  • Bio / Photos
  • Music Lessons
  • Basic Musicianship
    • Author - D C DowDell
  • Blues
  • Fake Books
  • Guitar Tab
  • Improvisation
  • MIDI
  • Play-a-Longs
    • Jamey Aebersold
    • Hal Leonard
    • Music Minus One
  • Sheet Music
    • Broadway
    • Standards
  • Theory Books
  • Advertise
  • BebopBot Crawler
  • Contact Us
  • Copyright & Trademark
  • Digital Clock
  • Link Information
  • Staff & Tab Paper
  • Password Encrypt
  • Privacy Policy
  • Site Map
  • Site Search
  • Support This Site
    • Supporters
    • Donate Form
  • Artist Mantra
  • Bandleader Rules
  • Dating Musicians
  • Definition
  • The Ensemble
  • Etymology
  • Great Day in Harlem
  • History of the Sax
  • How to Play Sax
  • How to Sing Blues
  • Jive Terms
  • Metheny IAJE Speech
  • MIDI
  • Milestones
  • MLK in Berlin 1964
  • Music Mastery
  • Musician Tips
  • Old for the Gig
  • Public Domain
  • Quotations
  • Sideman Rules
  • Styles
  • Timeline
  • Yogi Berra Interview
  • 12 Bar Blues
  • 16 Bar Blues
  • ii-V-I Cadence Excercise
  • Circle of Fifths
  • Chord Chart
  • Chord Progressions
  • Chord Theory
  • Glossary
  • Grand Staff
  • Guitar Chords Tool
  • Harmony from Scales
  • Improvisation
  • Improvisation Methods
  • Intervals
  • Modes Chart
  • Piano Chords Chart
  • Piano Scales Chart
  • Piano Chord/Scale Tool
    • Formula Help
  • Piano Chord Voicing
  • Reharmonization
  • Jazz Scales Chart
  • Rootless Voicings
  • Scale Degrees
  • Seventh Chords
  • Soloing Scales & Chords
  • Key Transposition
  • Tritone Substitution
  • Turnaround
  • Monthly Festival Guide
    • January
    • February
    • March
    • April
    • May
    • June
    • July
    • August
    • September
    • October
    • November
    • December
    • Add Festival
  • Berks Festival
  • Caramoor Festival
  • Cape Town Festival
  • French Quarter Festival
  • Havana Festival
  • IAJE
  • Appreciation Month
  • JVC Festival
  • Lionel Hampton Festival
  • London Festival
  • Monterey Festival
  • Monterey Festival Tour
  • Montreal Festival
  • Montreux Festival
  • Newport Festival
  • Newport Festival Tour
  • Newport Beach Party
  • New Orleans Festival
  • No. Sea Rotterdam
  • No. Sea Curacao
  • San Francisco Festival
  • Women Festival
  • Bandleaders/Composers
  • Bass/Violin
  • Drums/Percussion
  • Guitar
  • Vibraphone
  • Piano/Keyboard
  • Sax/Woodwinds
  • Trombone/Brass
  • Trumpet/Brass
  • Vocalists
  • Add Artist Photo
  • Music Studio Information
  • Piano Teacher
  • Voice Coach
  • Student Testimonials
  • Gift Certificates
  • F A Q
  • $10 off coupon
  • Policy
  • Bar Code



Bb Tenor Sax
Piano/Vocal
Sheet Music
Standards

Jazz Ensemble
Chords
Jazz Piano
Scales
Solo &
Improvisation
Method Books
Hepster Dictionary

Jive Terms

Rules for the Jazz Sideman

Sideman
An essential guide for Jazz side musicians
  • Don't complain during a gig. If you don't enjoy a particular gig, simply say that you're busy the next time you're called for it. One bad attitude can make everyone on the bandstand miserable.
  • If you don't know a tune, read it. It's far more acceptable to play it correctly than to look cool by not reading, then screw a tune up because you don't really know it.
  • Ask about appropriate attire and strive to always look good on stage.
  • If you're not qualified for the gig, don't take it.
  • If you can't fulfill the requirements for the gig, don't take it.
  • Keep your chops up. The worst thing for a musician is to get an opportunity you are unprepared for.
  • Always be ready to play on time for downbeat.
  • Never ask the leader how much money they make for the gig. As a sideperson, your business is only what you are making.
  • Listen to the other band members' solos. Don't socialize while they're playing.
  • When you attend someone else's gig, don't pull out your instrument until you're asked to sit in. Do not noodle on your instrument while the band performs. Warm up prior to arriving at the venue.
  • If you call a tune while sitting in at a jam session, make sure that you know it very well.
  • At a jam session, sit down after one tune unless you're asked to stay and play more.
  • After you play at a jam session, stay around for a while. It is rude to leave the venue soon after playing.
  • Stay sober enough to play well throughout the gig. The musician community is small and word travels fast.
  • Never come back and take another complete solo on a tune that you've already had a complete solo on.
  • Horns and other melody instruments need to know the chord progressions to tunes as well as the melodies.
  • When calling a tune, never count off a tempo so fast that other players feel uncomfortable.
  • Network. Go to other player's gigs and support them. Get to know the musicians and eventually sit in when asked. If you want to work, people have to know who you are.

Also see Jazz Bandleader Rules


back
top
next
   A Passion for Jazz!
Copyright © 1998-2023   A Passion for Jazz!   All Rights Reserved
Privacy Policy • Security • Content Rating
Copyright © 1998-2023  A Passion for Jazz!  All Rights Reserved
Privacy Policy • Security • Content Rating