A Passion for Jazz!
 
  • Music / Books
  • Resources
  • Jazz History
  • Jazz Education
  • Festivals / Events
  • Bio / Photos
  • Music Lessons
  • Basic Musicianship
    • Author - D C DowDell
  • Blues
  • Fake Books
  • Guitar Tab
  • Improvisation
  • MIDI
  • Play-a-Longs
    • Jamey Aebersold
    • Hal Leonard
    • Music Minus One
  • Sheet Music
    • Broadway
    • Standards
  • Theory Books
  • Advertise
  • BebopBot Crawler
  • Contact Us
  • Copyright & Trademark
  • Digital Clock
  • Link Information
  • Staff & Tab Paper
  • Password Encrypt
  • Privacy Policy
  • Site Map
  • Site Search
  • Support This Site
    • Supporters
    • Donate Form
  • Artist Mantra
  • Bandleader Rules
  • Dating Musicians
  • Definition
  • The Ensemble
  • Etymology
  • Great Day in Harlem
  • History of the Sax
  • How to Play Sax
  • How to Sing Blues
  • Jive Terms
  • Metheny IAJE Speech
  • MIDI
  • Milestones
  • MLK in Berlin 1964
  • Music Mastery
  • Musician Tips
  • Old for the Gig
  • Public Domain
  • Quotations
  • Sideman Rules
  • Styles
  • Timeline
  • Yogi Berra Interview
  • 12 Bar Blues
  • 16 Bar Blues
  • ii-V-I Cadence Excercise
  • Circle of Fifths
  • Chord Chart
  • Chord Progressions
  • Chord Theory
  • Glossary
  • Grand Staff
  • Guitar Chords Tool
  • Harmony from Scales
  • Improvisation
  • Improvisation Methods
  • Intervals
  • Modes Chart
  • Piano Chords Chart
  • Piano Scales Chart
  • Piano Chord/Scale Tool
    • Formula Help
  • Piano Chord Voicing
  • Reharmonization
  • Jazz Scales Chart
  • Rootless Voicings
  • Scale Degrees
  • Seventh Chords
  • Soloing Scales & Chords
  • Key Transposition
  • Tritone Substitution
  • Turnaround
  • Monthly Festival Guide
    • January
    • February
    • March
    • April
    • May
    • June
    • July
    • August
    • September
    • October
    • November
    • December
    • Add Festival
  • Berks Festival
  • Caramoor Festival
  • Cape Town Festival
  • French Quarter Festival
  • Havana Festival
  • IAJE
  • Appreciation Month
  • JVC Festival
  • Lionel Hampton Festival
  • London Festival
  • Monterey Festival
  • Monterey Festival Tour
  • Montreal Festival
  • Montreux Festival
  • Newport Festival
  • Newport Festival Tour
  • Newport Beach Party
  • New Orleans Festival
  • No. Sea Rotterdam
  • No. Sea Curacao
  • San Francisco Festival
  • Women Festival
  • Bandleaders/Composers
  • Bass/Violin
  • Drums/Percussion
  • Guitar
  • Vibraphone
  • Piano/Keyboard
  • Sax/Woodwinds
  • Trombone/Brass
  • Trumpet/Brass
  • Vocalists
  • Add Artist Photo
  • Music Studio Information
  • Piano Teacher
  • Voice Coach
  • Student Testimonials
  • Gift Certificates
  • F A Q
  • $10 off coupon
  • Policy
  • Bar Code
The Harmony of

Bill  Evans

Piano Theory I
Solo &
Improvisation
Method Books
Piano/Vocal
Sheet Music
Standards
How  to  Play
Jazz Sax Player
Jazz Saxophone
Books
Jazz MIDI
Disks

The Definition of MIDI

MIDI
Jazz MIDI files  •  What are they?
(not midi, midis or midees)

MIDI is a communications protocol (set of rules) which determines transmission format between electronic musical instruments and computers, a "language" if you prefer. Thus, Musical Instrument Digital Interface, or MIDI (upper-case), is not a thing. One cannot "have a MIDI", "quality MIDI" or "a MIDI page" It does not make any sense.

There is no plural form. Referring to MIDI files as "midis" or "midees" is a common mistake. Would you refer to files written in the English language as "englishes?" The proper reference is "a binary file produced in MIDI format" or at the farthest extreme of liberal interpretation... "a MIDI file."

Nearly forty years in existence, MIDI has gained acceptance with industry professionals by leaps and bounds. Not only does it allow for faster creation and composition of music, it allows the composer to become the proverbial one-man band.

MIDI was introduced to the world in 1983. It was developed in cooperation between the major music industry electronic instrument manufacturers including Roland, Yamaha, Korg and others. No one ever dreamed the kinds of sounds that could be created and accessed using such a powerful communications protocol.

The MIDI protocol allows electronic devices (usually synthesizers, but also computers, light show controllers, VCR's, multi-track recorders, etc.) to interact and work in synchronization with other MIDI compatible devices. Using a master controller device such as a keyboard, one can play or trigger sounds from other electronic devices remotely. This eliminates the need for one keyboardist to perform with nine or ten keyboards around him. He can play all the keyboards through one simply by connecting them using MIDI. The other keyboards can be off-stage; he never has to touch them, yet he can play them. The best analogy for MIDI is to liken it to the linking of two computers via modems. The same way the computers share information via modem, electronic devices share it via MIDI. It does not send the actual musical note, but the information about the note. It can send messages to synthesizers telling it to change sounds, master volume, modulation devices, which note was depressed, and even how long to sustain the note.

MIDI has been continually expanded to include other features for the professional musician. Some of note include MIDI Time Code (allowing synchronization of video and audio), Sample Dump Standard (allowing for the transfer of digital audio files) and MIDI Show Control (allowing control of devices used in theater.)

"A goal is a dream with a finish line." - Duke Ellington


back
top
next
   A Passion for Jazz!
Copyright © 1998-2023   A Passion for Jazz!   All Rights Reserved
Privacy Policy • Security • Content Rating
Copyright © 1998-2023  A Passion for Jazz!  All Rights Reserved
Privacy Policy • Security • Content Rating